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Most new screenwriters share a dream that Stephen Spielberg or David Fincher is going to pluck their script out of a big pile, fall in love with it, and offer them $1,000,000 against 10% of the gross in a pay-or-play deal to produce it.
The sad reality is that what is far more likely is that instead of a sale to a major studio, some little known “producer” will instead approach them asking for a free option on the script. So I often get calls asking, “Should I... Read More
